Watercooler: Is Suburgatory Worth Likely to?

Suburgatory Kind of loved that certain. A good deal. We're unsure whether or not this Suburgatory's opening shot in the Talbots-bedecked mother rapping inside a red-colored-colored light, our prime school glee-club joke (full of dork in the mobility device and cheerleader uniforms) or perhaps the not-too-snarky wit of Jane Levy's upended teen, but this comedy in regards to the Altmans, a parent-daughter duo who move from Manhattan for the 'burbs is a lot more fun when compared to a frapp-filled visit to the mall getting a cosmetically enhanced mother. Beginning off last evening incorporated in ABC's already winning Wednesdays (oh, and welcome back, Happy Being!), the sitcom is type of the anti-The Middle: They both share the voice-over idea, but where the Hecks are often affectionate and mildly serious, the Altmans are acerbic and often very apathetic - without needing to be off-putting, that's key. Include a Red-colored-colored Bull-fueled barrage of sight gags and put-on exaggerations of suburban existence, which we now have every reason be hopeful with this particular new kid round the comedy block. Plus, will we come with an "amen" that Jeremy Sisto has finally found a awesome-father role worth Clueless' Elton? What about you? Is Suburgatory inside your Must-Watch list? Subscribe to TV Guide Magazine now!

Warner Bros Dates Gangster Squad

Warner Bros said today that it will release its Ruben Fleischer-directed mob drama Gangster Squad on Oct. 19, 2012, right in the teeth of next year’s awards season. Sean Penn, Ryan Gosling, Josh Brolin and Emma Stone star in the pic, which is set in 1940s-era Los Angeles and centers on a police unit that is formed to take down head gangster Mickey Cohen, who is played by Penn. Also set to be released on that date is Lionsgate’s romantic comedy The Big Wedding with Robert De Niro and Susan Sarandon as well as Paramount Vantage’s untitled David Chase film, his feature directorial debut, about a group friends in 1960s New Jersey who form a garage band. UPDATE: The studio also said it is shifting its Zac Efron-starrer The Lucky One, based on the Nicholas Sparks novel, from Aug. 12, 2012 to April 20, 2012.

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Stephen King Sneaks The Shining Follow up: Danny Stars in Dr. Sleep With Vampires of the underworld

Stephen King introduced it’s possibility in 2009, however it wasn’t made official until last weekend when he read an excerpt throughout a George Mason College honours ceremony. The follow up towards the Shining is known as Dr. Sleep starring psychic kiddie Danny (also known as ‘Doc’) 3 decades later. Now he helps reduce the minds of dying hospice citizens. Until some vampires of the underworld arrive. Bad Stanley Kubrick isn’t still around. Here’s the novelist reading through a passage from Dr Sleep:

Bristol Palin's Confrontation with 'Homosexual' Turns Ugly Throughout Reality Show Tape (Video)

When the altercation in West Hollywood on Thursday is certainly a precise indication from the products Bristol Palin's private existence is similar to, her approaching reality Tv program round the Bio funnel may be heavily bleeped.our editor recommendsBristol Palin Grew to become Pregnant, Because She Was Jealous of Sarah, states Levi Johnston (Video)5 Things to learn about Bristol Palins Reality ShowHow Bristol Palin Was Belittled on 'DWTS'Bristol Palin Confesses to 'Corrective Jaw Surgery' Before Reality ShowBristol Palin round the View: Not at All' Difficult to Stay a Virgin (Video) PHOTOS: How Bristol Palin was Belittled on 'DWTS' Palin was at Saddle Ranch bar and restaurant -- getting a cameraman together with other production staff -- riding an analog bull. After falling, she developed a beeline with a 47-year-some guy who had previously been shouting obscenities at her. "Perhaps you have ride Levi such as this?In . the man had screamed. "Your mother's a whore," he mentioned, mentioning to former v . p . candidate Sarah Palin. As 20-year-old Bristol Palin got inside the man's face, he distributed to her: "Your mother's a fucking demon." "What did she do wrong?" Palin asked for. "She lives. She inhales," the man clarified. "You need her dead?" she asks. "If there's a hell -- that people don't believe there's one -- she'll be there," the man states. Still looking for the provision from the man's displeasure, Palin asks: "Can it be because you're a homosexual?" "Virtually," according to him. Before Palin leaves along with her camera crew, the man calls her "white-colored trash" together with a "fucking bitch." (video below). Beyond verifying that Palin as well as the production crew are there filming a segment for your approaching reality Tv program, a representative for just about any&E, parent in the Bio funnel, did not have comment. Editors note: The following video includes graphic language. Related Subjects Sarah Palin Dwts Bristol Palin A&E Bio.

Amin

A Cinemashena presentation in colaboration with Eyesteelfilm. (Worldwide Sales: Cinemashena, Montreal.) Produced, directed, edited by Shahin Parhami.With: Amin Aghaie, Ustad Kiyani, Jahantoor Rahimi, Farhad Aghaie. Housein Aghaie, Galyna Omelchenko.A fantastically crafted portrait in the amazing youthful music artist/ethnomusicologist Amin Aghaie, "Amin" shuttles involving the pale marble halls in the Kiev Tchaikovsky Conservatory as well as the impossibly vivid colors in the Qashai community in Iran, the two cell phone industry's tightly linked by Aghaie's thesis research round the disappearing musical culture of his people. The tradition is diminishing fast, and Aghaie's popular concerts, the occasions that could maintain it current, are regularly banned. Fueled by its subject's passionate commitment (and virtuoso violin), and carrying out on several levels, the docu could resonate theatrically with arthouse auds. Iranian helmer-producer-editor-d.p. Shahin Parhami, an in depth friend of Aghaie's, easily forms together with his close-knit family, all artists in awe from the kin's casual brilliance and generosity. Parhami shows Aghaie giving brother Housein gentle pointers on his accomplished piano rendition from the Bach prelude. Chronicling the culture in the Qashai, a nomadic Turkish people of mysterious origin who settled in north western Iran, requires a certain degree of detective work. On the road, Aghaie tracks lower gossips to obtain the handful of remaining professionals of Qashai music. Aghaie is by using excitement welcomed and regaled with impromptu performances, they records for his archives. He captures long periods with players of several exotic instruments and likes a moving reunion with legendary composer-singer Ustad Kiyani, his 105-year-old-mentor, who still sings up bad weather to Aghaie's spirited violin accompaniment. Though small amount of time and with no assets, Aghaie is fighting a losing fight. To have the ability to fund his research and continuing studies, he and also the brothers and sisters use selling their instruments, Aghaie sadly tracing the curves of all the his three violins round the wall before parting from it. In Kiev, romantic jaunts with fellow music artist Galyna Omelchenko, whose passionate piano playing can frequently be heard without anyone's understanding, alternate with extended, introspective interviews. They're shot in black-and-white-colored having a nearly uncomfortable closeness, as Aghaie airs his doubts and fears for the camera. Not minimal impressive in the docu's achievements could it be completely familiarizes audience with Qashai music, that may appear initially alien and off-putting to Western ears. With the film's finish, a violin/drum/piano composition by Aghaie and also the brothers and sisters, clearly shot before they were expected to sell their instruments, rocks the house.Camera (color, HD), Parhami music, Amin Aghaie. Examined at Montreal World Film Festival (Documentaries around the world), August. 27, 2011. (Also in Moscow, Dubai, Pusan film festivals.) Running time: 120 MIN.(Farsi, Turkish, Russian dialogue) Contact the number newsroom at news@variety.com

Emmys Top Moments: A Home Where All TV Shows Live, and a Mock Beauty Pageant

Jane Lynch Our roundup of the most memorable moments of the Emmys: 14. Worst Opening-Number Follow-Up: Emmy host Jane Lynch takes viewers on a tour through a fictional building where all TV sets and characters supposedly reside. Highlights of this exercise in randomness: Lynch tests out the laugh track at The Big Bang Theory, horrifies the Mad Men ad guys with tales of fast-forwarding through commercials and Slushees her Glee alter ego. The song ends on the line, "There's no place like TV ... except for HBO -- it's not TV." 13. Worst Idea: The Emmytones -- a singing group comprised of Zachary Levi, Cobie Smulders, Taraji P. Henson, Kate Flannery, Wilmer Valderrama and Joel McHale -- introduces the comedy categories in harmonious, if not-so-hilarious fashion. We thought we were well rid of the cheesy warblers until the returned for the other major categories. Stay one-hit wonders! 12. Best Tribute: In his acceptance speech for Best Supporting Actor in a Comedy, Modern Family's Ty Burrell gave a nod to his late father, whom he imagined would be less impressed with the Emmy and more preoccupied with the actor's need for heavy screen makeup: "But why the makeup? Couldn't you just wear a little powder? Why do you have to look like a harlot?" Guilt + self-deprecation = love from a parent. 11. Best Performance: Although The Lonely Island medley was a hot mess overall, it could not overshadow Michael Bolton's charismatic wailing as a roguish Captain Jack Sparrow, complete with fake mustache askew. Add spandex-clad guys undulating as sea waves, and you have a booze-inspired, not-so-seaworthy adventure. 10. Most Overdue Win: After five seasons and a mere casting Emmy, Friday Night Lights finally scored well-deserved and long-overdue Emmys for Kyle Chandler and Jason Katims. "Clear eyes. Full hearts. Can't lose." We'll miss you, Coach Taylor. *Sniffle* Check out all the fashions from the Emmy red carpet 9. Best Cutaway: Beginning his thank-you speech, Ray Romano doppelganger Steve Levitan (who won for writing Modern Family with Jeffrey Richman) says: "Real life handed us the stories. My children walked in on my wife and I while we were in the act." The cameras then cut to his wife Krista, who, like a true pro, waits for her closeup to roll her eyes. "Thank you to my somewhat traumatized wife," he adds. 8. Best Thank-You: Game of Thrones' Peter Dinklage is charming and gracious in his acceptance speech, giving props to his fellow nominees, his wife and... his pet sitter, the confusingly named Kitty. His dog's name? Kevin. 7. Most Understanding Wife: For his role in Mildred Pierce, Guy Pearce had to simulate sex with Kate Winslet many, many times and therefore thanked her for "allowing me to insert myself into your world" in his acceptance speech for Best Supporting Actor in a Miniseries or TV Movie. And then he thanked his wife. And it all sounded charming because he's Australian. 6. Best Acceptance Speech: Margo Martindale -- the 60-year-old character actress whose TV career dates back to 1989's Lonesome Dove and who scared the bejesus out of people with her portrayal of the treacherous Mags Bennett on Justified -- gives us one of the most emotional moments of the night in her acceptance speech for Best Supporting Actress in a Drama. She sweetly notes that it was a long time coming. "Sometimes things just take time, but with time comes great appreciation," she says. "The writers are genius and poetic, inspired by Elmore Leonard and the great Graham Yost. I love you, Graham, even though you killed me." Yes, she won for a role that sadly no longer exists. 5. Best Patter: Jimmy Kimmel asked Jimmy Fallon if he had written an acceptance speech, but Fallon demurred, saying he knew Jon Stewart would win (which he did, incidentally). After Fallon touches his inside breast pocket once too often, Kimmel wrestles him to the floor and pulls out the acceptance speech Fallon claimed he didn't have. But Kimmel is the embarrassed one when he reads it. "But most of all, I want to thank Jimmy Kimmel. Jimmy has been there for me since Day One, he's the kindest and most supportive person in my life," an increasingly sheepish Kimmel read. "He would never mock me or belittle me, especially in a large public venue such as this. I love you, Jimmy Kimmel." Well, maybe not anymore. 4. Most Anticlimactic Return: Bad boy Charlie Sheen got a surprisingly tepid reception. "Before I present outstanding lead actor in a comedy series, my old category, I want to take a moment to get something off my chest and say a few words to everybody here from Two and a Half Men." OK, here's where everyone goes Uh-oh!, right? No, it was totally boring... and apparently sincere! "From the bottom of my heart, I wish you nothing but the best for this upcoming season. We spent eight wonderful years together and I know you will continue to make great television." Not a drop of tiger blood.... unfortunately. 3. Best Joke: Jane Lynch explains that many people are curious why she became a lesbian. Without missing a beat, she says: "Ladies and gentlemen, the cast of Entourage." Peals of laughter follow the hostess' funniest line of the night as the five guys from the now-defunct HBO show take the stage as presenters. 2. Best Misdirect: Modern Family co-creator Steve Levitan accepted the award for Best Comedy Series with a touching anecdote. A gay couple approached him to say, "You're not just making people laugh; you're making them more tolerant." He then cracked: "And I thought to myself, 'Well, they are right; we are showing the world that there is absolutely nothing wrong with a loving, committed relationship between an old man and a hot young woman.' And looking aroundthis room tonight, I see many of you agree." 1. Best Bit: When the first nominee for the Best Actress in a Comedy award - Amy Poehler - is announced, she hilariously mounts the stage as if she's just been named a finalist in a beauty pageant. Not to be outdone, the other five nominees follow suit. A fast zooming close-up reveals the winner to be Melissa McCarthy of Mike & Molly. To complete the effect, McCarthy is crowned with a tiara and handed roses - which just happened to be on hand. What were your favorite moments? Tune in Monday at 8/7c for Kathy Griffin's Emmys Aftermath on TV Guide Network

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'Straw Dogs' Director concerning how to Remake a classic

One of the primary items that Clint Culpepper, leader of Screen Gems, mentioned in my opinion after giving me the eco-friendly light to produce and direct the remake of Mike Peckinpah's Hay Dogs (opening Sept. 16) was, "You understand, there's apt to be a sizable bull's-eye laying lying on your back.In . Boy, was he right.our editor recommendsWriter/Director Fly fishing rod Lurie Unveils True Motivation Behind 'Straw Dogs' Remake 'Straw Dogs,' 'Scarface,' 'Swept Away': 10 Good, Bad and Unnecessary Movie RemakesStraw Dogs: Film Review Within the minute we introduced our plans, the authors handled to obtain apparent that we was "no Mike Peckinpah," that we will be a virtual heretic, a blight on all that's cinema. I'd my own, personal apparent reservations. Once I will be a film critic, I'd greater than respected Peckinpah I believed him being one of the great auteurs in many of film history. Who was simply I to accomplish this? STORY: 'Straw Dogs,' 'Scarface,' 'Swept Away': 10 Good, Bad and Unnecessary Movie Remakes Some tips about what pressed me inside the edge: I went into Dustin Hoffman, the star in the original 1971 film, inside a Golden Globes party at producer Mike Medavoy's house. I noticeably recall him putting your hands in my shoulders and saying, with this particular wry smile of his, "You understand, Hay Dogs can be a Western. It's an unpleasant Western." It absolutely was an account inside the tradition of Shane and Noon. "Put your individual spin about it,In . he described. And knowing that, Dustin was giving me the initial of my four fundamental rules in remaking a film. STORY: Author/Director Fly fishing rod Lurie Unveils True Motivation Behind 'Straw Dogs' Remake Put your individual spin about it. What Dustin was saying is I will remake Hay Dogs, not Mike Peckinpah's Hay Dogs. I'd remake a film, while not concentrating on the same types of their auteur. Peckinpah was infamously affected with the books of Robert Ardrey, which espoused what's known the "Territorial Imperative" theory: that individuals are genetically coded for violence. Peckinpah spoke relating to this consistently in interviews and written relating to this in memos through the building from the film. FILM REVIEW: Hay Dogs I disagree along with his take a look at guy's character. In my opinion, violence is a factor that's conditioned. Thus, the objective of my remake -- the spin, as the saying goes -- wound up being to inform the identical story, but in the different mind-set. Be careful how you cast. Once the star in the original was themselves legendary, you're probably best seeing a different sort of actor. Hoffman is probably the handful of stars in the world who's an "-esque," because he's "Hoffman-esque." Dustin themselves recommended in my opinion a few stars to do something as David Sumner, nonetheless they counseled me stars who've been, really, Hoffman-esque. I figured i'd be holding people stars to standards that could be near impossible to achieve. I'll remember when Clint texted me the title James Marsden. I responded with three exclamation points. He's almost the anti-Hoffman. He's greatly handsome together with a kind of hopeless WASP. If Dustin's David will be a NY intellectual, Marsden's is a Greenwich Country Club fellow. Marsden, who's an amazing mimic, made things difficult by always doing one or more take as Dustin Hoffman. My problem within the editing room is always that these were frequently the most effective takes. STORY: 'Straw Dogs': Just what the Experts Say Watch everything you keep and eliminate. In the event you're not keeping a lot of the story, you shouldn't be remaking the film. The first draft I written for Screen Gems was well recognized, nevertheless it was not the same as the first. Clint referred to as me into his office and mentioned, "That is great, but we are remaking Hay Dogs." Consequently, a lot of the story beats are the same. A Few Things I did change was the area, the professions in the lead figures, the era in which the story happens, to ensure that when i mentioned before, your mind-number of people same figures. I furthermore removed sub-tales and figures not connected to the central conflict. You'll be tempted to eliminate the title, but don't. Peckinpah selected Hay Dogs in the saying he read within the Chinese philosopher, Lao Tzu. This only happened following a studio rejected one title to a different, like the Siege of Trencher's Farm, the title in the book in which the film relies. No less than three filmmakers who directed remakes described I will affect the title. They hadn't changed the overall game game titles from the films, and so they made an appearance to think the projects experienced. In my opinion whatever they were saying was that in a few type of strange way, in the event you affect the title, you'll be able to fool everyone else into thinking the film isn't a genuine remake. However uncover that being simply impossible. Part of the energy from the film is, really, within the title. If you see our version, you'll learn how it is made to signify. Only time (in this situation, a few days) will state whether it was wise to remake Hay Dogs whatsoever. However i believe, I'm forget about delay by the idea of a remake. Really, I now contemplate it like a genre unto itself -- as lengthy when you are which makes it your individual. Ex-journalist Lurie's films just like a director are the Contender and zilch Nevertheless the Truth. Related Subjects Fly fishing rod Lurie Hay Dogs

Trisha Cardoso Lands Top Showtime PR Job

Veteran PR executive Trisha Cardoso is finalizing a deal for the top PR post at CBS Corp-owned Showtime, vacated by the recent departure of Richard Licata who left to join his former boss Robert Greenblatt as EVP Communications for NBC Entertainment. The search for Licata’s replacement was led by Showtime entertainment president David Nevins who has known Cardoso for a long time. For Cardoso, who had been consulting for the past several years, this marks a return to Showtime where she started her PR career in the 1980s. Cardoso, who only recently returned to publicity full-time after taking time off to raise her kid, worked as VP media relations for the Paramount Television Group in the 1990s, reporting to John Wentworth, now EVP communications for CBS TV Distribution. During her stint, she also got to know CBS’ top PR executive Chris Ender, who now oversees publicity for all of CBS Corp.’s West Coast entities, including Showtime. Before that, Cardoso was VP entertainment marketing for PR firm Burson-Marsteller where her accounts included the Paramount series Cheers, Frasier and Wings; Universal’sNorthern Exposure andLaw & Order; 20th TV’s L.A. Law; and Aaron Spelling’s Melrose Place. Cardoso joined Burson-Marsteller in 1991 when the firm acquired Mahoney Communications where she was director of television and worked on such series as Dynasty and thirtysomething. Before that, Cardoso worked in the public relations group of Showtime Networks where she assisted on PR campaigns for telefilms, comedy series and music and variety specials, including It’s Garry Shandling’s Show, Brothers and Dionne Warwick and Friends.

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Ashley Greene Is Olivia Twisted

What the Dickens?Charles Dickens is one of those authors whose work is seemingly always getting adapted in various forms. While it's rare to come across a version that takes the original tale - this time it's Oliver Twist - and gives it a real makeover, that's the case with Olivia Twisted, which will find Twilight's Ashley Greene playing the title character. First-time screenwriter Michael Roberts penned the script, which finds the 19-year-old heroine running a crew of well-trained, orphan street urchins. But when they take on what seems at face value to be a simple kidnapping job, they're suddenly plunged into the middle of a nasty turf war between two criminal gangs. The Social Network's co-producer Michael De Luca is spearheading the project, which doesn't yet have a director. According to Variety, the film will "combine classic Dickensian elements with a unique gothic backdrop. " Right then...While there's no word on when it'll shoot yet, chances are it'll be aimed for release next year, which just so happens to be the bicentennial of Dickens' birth. There's already one film (from Mike Newell) and one TV version of Great Expectations underway, and we're now just waiting for someone to announce that A Christmas Carol On Mars is joining them...

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ABC Nabs Casey Wilson/June Raphael Walk Of Shame Comedy Created By Will Gluck

In another competitive situation surrounding a comedy pitch this year, ABC has arrived just one-camera comedy to become compiled by Saturday Evening Live alumna Casey Wilson and June Diane Raphael and created by The new sony Pictures TV and can Gluck’s studio-based company. Entitled Walk of Shame, the comedy involves a number of 20-something buddies in NY featuring a dent scene a good embarrassing situation then flashbacks from the occasions that brought into it. Wilson, Raphael and Gluck are executive creating. Walk of Shame grows Wilson’s relationship with ABC and The new sony TV — she co-stars about the ABC/The new sony sophomore comedy Happy Being. Wilson and Raphael, who met inside a clown class at NYU, are lengthy-time writing and stage partners and close friends. They've carried out together in the Upright People Brigade Theatre and co-authored the feature Bride Wars. This is actually the second TV purchase underneath the two-year film and TV deal Gluck signed with The new sony in May. The very first, a mocumentary comedy from Mastermind authors Alan Schoolcraft and Brent Simons, sparked a putting in a bid war, landing at NBC having a pilot production commitment.